Cluttertones/Leeways part 3 of "Blow My Own Horn"
As is my new weekly habit, I pour myself a drink and start
listening to one of the records that I played on in the last 18 months. Tonight
it is the Cluttertones; Leeways.
Cluttertones are probably the most critically acclaimed
group I have ever been a part of. Some of my favourite music writers have
written beautifully about both our records, I have heard suggestions (even
demands!) of a Polaris Prize shortlist.
Yes, those that know and love this group are very passionate. (this
record was number one on the Canadian college radio jazz charts)
Individually there is really something going on here.
Bassist and composer Rob Clutton (one of my oldest and best pals) has made
numerous recordings including a couple solo bass albums that have been highly
regarded. His compositional curiousity and expermination always leads to
interesting new forms, shapes and pieces of music for this group. Trumpeter
Lina Allemano has captured the hearts and ears of the creative music scene in
Toronto and Berlin (where she spends half her time these days). Ryan Driver
plays analog synth and piano on so many records and is part of so many bands I
can’t keep track of what he is up to any more.
Collectively there is nothing like the Cluttertones.
I love the way this record opens. Gull has such a
non-idiomatic starting point and the band stretches it from A-Z (sorry for the
writing cliché) a couple times anyways.
In the ten years I have been playing banjo and guitar in the
Cluttertones there have been a few tracks that come out of the folk-music
section of Rob’s brain. The second
track; Bears is certainly one of them. This track always gets a great response
when we play it live. Ryan sings Rob’s abstract poet lyrics that I never get
tired of. (I also never really understand them either) fyi, there are very few
people who sing anything like Ryan Driver.
Lina Allemano is a Canadian treasure. She is taking the
trumpet to new places and has been celebrated in at festivals in New York,
Berlin and across Canada and has quite a local following here in TO with her
bands Titanium Riot and The Lina Allemano Quartet where she performs monthly at
the Tranzac. She is featured on the third track called Julio. Her extended
trumpet techniques will leave you wondering if there is anything she can’t do
on the trumpet.
This CD is beautifully recorded by Jeremy Darby at
Canterbury Sound. (on the fringes of my neighbourhood at Dufferin and
King…pretty sure I biked to these sessions)
I always go out of my way to hear Rob Clutton play solo bass
shows. (he does a few every year in Toronto) The opening for Septiembre is a
great bass solo and I hope lots of young bassists get to hear this track. (it
includes some band accompaniment including our special guest Lee Pui Ming on
piano)
The album is called Leeways as the second half of the record
is a suite that Rob wrote for our friend, pianist Lee Pui Ming. She is a very
special musician and a great person. The suite has five parts where one person
is featured in each part.
We worked hard with Pui Ming to get this together. Having a
special guest in this group was a lot of work but it all paid off. She has
great instincts and also a real thinker. She is always fun to be around too!
Special shout out to Randi Helmers who did the beautiful artwork
for the cover of both of our records. She is a great painter and I am always
looking forward to her next show. Yesim Tosuner did a great job laying out this
Cd as did Dawne Carleton writing the liner notes. (Dawne was also the choreographer
for the dance piece we did to release the first CD)
Each time I hear this Leeways suite I am struck by the
balance Pui Ming has between the strength and rhythmic creativity while she
attacks the piano and the subtlety with which she plays the other half of the
time on the bench. (although she is often up off the bench)
Special thanks to Scott Thomson and the Guelph Jazz Festival
for hiring us to debut this piece a couple years back before we went into the
studio to record it. I feel very fortunate for my ongoing relationship with
that festival that has consistently inspired artists to continue to do what
they do and encouraged music fans to support the music that we are making.
I have tried to describe this music to people over the years
but never really succeeded. I will say that it might be the strangest band you
have ever heard. I would also suggest good headphones or speakers and just let
the music wash over you. It is quite an experience.
Listen to (and buy!) Leeways here:
https://robclutton.bandcamp.com/album/leewaysLabels: acoustic bass, analog synth, banjo, canadian music, improvised music, jazz, lee pui ming, leeways, modern jazz, not jazz, out jazz, polaris prize, trumpet
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